Radical Performance Making: Devising Performance for Social Change
With Dani Mo
"Art is not a mirror held up to reality but a hammer with which to shape it." – Bertolt Brecht How can performance challenge power, create dialogue, and inspire change? This practical workshop series explores performance-making as a tool for social commentary, creative activism, and critical reflection. Drawing on Brechtian theatre techniques, devising practices, character work, and participatory performance methods, participants will experiment with creating performances that question, provoke, entertain, and inspire. Through practical exercises, theoretical inputs, and collaborative exploration, we will investigate techniques such as direct audience address, Gestus, alienation effects, devising from stimulus, character creation, and performance interventions. Participants will be encouraged to draw on personal experiences, political concerns, social questions, and imaginative possibilities as starting points for creating performance. Over four sessions, participants will develop their own performances, scenes, or performative interventions. Participants interested in public presentation will have opportunities to share and further develop their work in different contexts, including a community and neighbourhood event on 17 October in Köpenick and a later showcase at 90mil (possible additional rehearsal/development time). Up for discovering and transforming your questions, concerns, and ideas into performance? All levels of experience are welcome, just bring your curiosity and openness to experiment.
- Dates
- Wed 16 Sep, Wed 23 Sep, Wed 30 Sep, Wed 14 Oct
- Time
- 18:30–21:00
- Cost
- €70-120(+ €5 membership fee for new members)
- Attendance type
- You should attend the full course
- Class type
- Theatre, Activism, Performance
- Space
- Theatre
- Desired audience
- This workshop is open to performers (beginners and experienced), activists, community organisers, artists, writers, storytellers, and anyone interested in using performance as a tool for critical reflection, creative expression, and social change.
- What should I bring?
- No prior performance experience is required. This is not an acting class, but a facilitated and practical exploration of performance-making as a tool for expression and social change. Curiosity, openness, and a willingness to participate and experiment are all that's needed (and perhaps a slight interest in changing the world 😉). Participants should bring: Comfortable clothing suitable for movement A notebook and pen Optional: personal objects, images, texts, or themes they would like to explore creatively
About the artist
Dani Mo is a performer and interdisciplinary social artist working at the intersection of performance, activism, and community engagement. With a background in theatre-making, directing, devising, and immersive storytelling, Dani creates socially engaged and participatory performance experiences that encourage critical reflection and collective imagination. Their practice draws on Brechtian theatre, creative activism, community arts, and co-creative processes. Dani has facilitated workshops and projects with Artistania Berlin, Theatre Climate Camps, Carnival for the Future, and other grassroots initiatives, exploring how performance can challenge dominant narratives and support social and ecological transformation.
Instagram: @danimo_musings https://drive.google.com/file/d/1l0EnRp-x9bRRdakOZ2hWvFKwBRo0z6nP/view?usp=sharing
Accessibility
One solidarity spot is available for this course at no cost. Please write to 90milartschool@gmail.com to book. 90mil is wheelchair accessible. Please see the yellow section below for more on accessibility.
Sliding scale
We use a sliding scale to make courses as affordable as possible. Here’s how to use it: Lower end: You don’t have a stable income. Mid range: You have a less stable financial situation and are more selective about where you spend your money. Higher end: You experience relative financial stability. Solidarity spot: You’re experiencing financial precarity and wouldn’t otherwise be able to afford to come to a workshop.
